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Libro de Actas del Congreso Regional de la Cátedra ... - UNGS

Libro de Actas del Congreso Regional de la Cátedra ... - UNGS

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“I told Harlen I like Toronto. There were good restaurants, p<strong>la</strong>ces to go. Things to do.<br />

Medicine River was small.<br />

′American Hotel is a great p<strong>la</strong>ce for beer. Baggy´s just opened a sit down restaurant. You<br />

got the Rockies too. You see over there′, Harlen said, gesturing with his chin. ′Ninastiko…<br />

Chief Mountain. That´s how we know where we are. When we can see the mountain, we<br />

know we´re home. Didn´t your mother ever tell you that?′” (P. 93)<br />

El segundo tópico es <strong>la</strong> introducción <strong>de</strong> ciertos eventos históricos que conforman <strong>la</strong><br />

historia <strong>de</strong> <strong>la</strong> i<strong>de</strong>ntidad amerindia. Un ejemplo <strong>de</strong> esto pue<strong>de</strong> verse cuando Harlen y<br />

Will regresan <strong>de</strong> uno <strong>de</strong> los campeonatos <strong>de</strong> básquet fuera <strong>de</strong> <strong>la</strong> reservación, y al<br />

pasar cerca <strong>de</strong>l monumento <strong>de</strong>l general Custer, el trickster propone <strong>de</strong>tener su marcha<br />

para visitarlo:<br />

“′Hey, Will′, said Harlen, folding the map over the steering wheel so I could see. ′Look at<br />

this.′<br />

′We lost already?′<br />

′That´s better, Will. Little humor always helps. Now, look. We´re going to go right by the<br />

Custer National Monument. Look, it´s just outsi<strong>de</strong> Billings. What do you say? Let´s stop<br />

by and see it.′<br />

′You think they let Indians in?′<br />

′Why would they keep us out?′<br />

′Harlen, it´s probably just a bunch of p<strong>la</strong>ques and some farmer´s field with a fancy fence<br />

around it.′<br />

′History, Will. It´s part of our history.′<br />

′The B<strong>la</strong>ckfoot didn´t fight Custer.′<br />

Harlen shook his head and patted me on the shoul<strong>de</strong>r. ′Pretty hard to see the bigger<br />

picture, when you´re <strong>de</strong>pressed. (…) I´ll get one of those tourist books that tells all about<br />

Little Bighorn.′” (P. 107)<br />

Las dos últimas citas permiten resaltar <strong>la</strong> importancia que implica, no sólo conocer<br />

<strong>la</strong> geografía en <strong>la</strong> que se <strong>de</strong>sarrol<strong>la</strong> <strong>la</strong> vida actual <strong>de</strong> <strong>la</strong>s comunida<strong>de</strong>s, sino también<br />

conocer <strong>la</strong> historia <strong>de</strong> esa geografía y el pasado compartido por <strong>la</strong>s distintas<br />

comunida<strong>de</strong>s amerindias.<br />

Pero no so<strong>la</strong>mente el trickster domina <strong>la</strong> narración oral, también <strong>la</strong> figura <strong>de</strong>l<br />

storyteller cobra una gran relevancia en lo que concierne a <strong>la</strong> oralidad. A lo <strong>la</strong>rgo <strong>de</strong> <strong>la</strong><br />

nove<strong>la</strong> encontramos varios narradores que cumplen <strong>la</strong> función principal <strong>de</strong> preservar<br />

<strong>la</strong>s tradiciones y propiciar <strong>la</strong> continuidad <strong>de</strong> <strong>la</strong> comunidad. En el texto, uno <strong>de</strong> los<br />

principales narradores <strong>de</strong> historias es <strong>la</strong> madre <strong>de</strong>l protagonista. Durante toda <strong>la</strong><br />

infancia <strong>de</strong> Will, su madre les narra a él y a su hermano James, distintas anécdotas <strong>de</strong><br />

<strong>la</strong> familia, <strong>de</strong> su niñez y otras <strong>de</strong> su padre ausente, tal como <strong>de</strong>scribe el mismo<br />

protagonista: “My mother never talked much about my father, and James and me knew<br />

271

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